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MISS ARABIAN NIGHTS
The Gospel of Making Good
Written by HETTIE GRAY BAKER Produced by OSCAR EAGLE
CAST
HELEN MITCHEL
HARRY HOLCOMB
JIMMIE FIELDINO
. . . Charles Clary
AN ORIGINAL and interesting comedy drama is "Miss Haroun Al Raschid," which modernizes some of the wonder-ways of old and brings them up-to-date with a finer moral and a richer
reward than the grey old dreamer of a thousand and one nights was accustomed to give his
servitors. Barbara Dean is a wealthy, but lonely young woman, and wishing to emulate the example
of the dreaming Arab, she poses as "Emily Stanton," a poor and struggling young writer, who lives
in a shabby, genteel boarding house, peopled by brilliant young people who have failed to open the
gates of opportunity that their merit would seem to command.
Without their knowledge, she made two young Artists fashionable successes; she gave a brilliant playwright a production of his work—a play that was the sensation of the year. Again she
thus made it possible for him and his loyal little fiancee, who had stayed by him for better and worse,
to marry in reality; likewise secured for the unlucky young actor the position of leading man. and
brought to the poor but proud inventor, whom she really loved, the
recognition that meant at once fame and fortune. But it almost broke
the spell when she revealed her identity to her lover, for his pride revolted both at the deception and the marrving of one whose worldly
goods was far greater than his own. But this obstacle she also overcame, and then Miss Haroun Al Raschid returned to her own estate
soirituallv richer bv a hundred-fold through these varied experiences
than she had ever been before.
SELIG
